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切瓦特·埃加福
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大卫·鲍伊,米克·容森,Mike,Garson,杰夫·贝克,Trevor,Bolder,Geoff,MacCormack,Brian,Wilshaw,Ken,Fordham,John,'Hutch',Hutchinson,Mick,Woodmansey,Carlos,Alomar,Gui,Andrisano,Ava,Cherry,Robin,Clark,Dennis,Davis,Greg,Errico,迈克尔·凯曼,Tony,Newman,David,Sanborn,L
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帕特里克·斯图尔特
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Ari,Wallach
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马虎,梁正双,张锦新,孙岭峰
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乔恩·邦·乔维,大卫·布赖恩,Tico,Torres,Hugh,McDonald,Phil,X
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布莱尔·安德伍德
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莱斯特·赫特,玛丽亚·巴尔蒂罗莫,彼得·詹宁斯,切斯利·舒伦伯格,理查德·恩格尔,Peter,A.,DeFazio,唐纳德·特朗普,赵小兰,Ted,Cruz,Andy,Pasztor,Zipporah,Kuria,Dennis,Muilenburg,John,Cox,Michael,Stumo,Richard,Blumenthal,Rick,Ludtke
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莫比恩·阿扎尔
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汤姆·塞兹摩尔,MichelleStafford,彼得·博格丹诺维奇,强·格瑞斯,马克•格罗斯曼
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珍·玛奇,梁家辉
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文森特·多诺费奥,蕾妮·齐薇格,安·韦奇沃斯,哈威·普雷斯内尔
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罗伯特·卡莱尔
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李春生
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尼古拉斯·霍尔特,莉莉·柯林斯,吉娜薇·欧瑞丽,帕姆·费里斯,米米·基恩,科尔姆·米尼,德里克·雅各比,克雷格·罗伯兹,帕特里克·吉布森,劳拉·唐奈里,安东尼·鲍伊,汤姆·格林-卡尼,哈利·基尔比,康纳·沃尔夫,大卫·普克里奇
The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 by Raphael.
Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 years, right up until the birth of Modernism.
As much as it was a cultural 'rebirth', the Renaissance was also a revolution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television.
As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.